冯博一
Feng Boyi
独立策展人、艺术评论家，并兼任四川美术学院艺术社会学研究所研究员。现生活、工作于北京。
2007-2017年兼任何香凝美术馆艺术总监。2010年、2016年两次获“艺术权力榜”年度策展人奖；2018年获第十二届AAC艺术中国“年度策展人”奖。
从上世纪80年代末开始，致力于中国当代艺术的策展、评论、编辑等工作。关注于边缘的、另类的艺术家和群体，以及年轻一代艺术家的生存状态和艺术创作；注重中国当代艺术的实验性、批判性和实践性。撰写有几十万字的论文和评论文章；策划有上百次的当代艺术展览。在国内外策划的重要展览有：“生存痕迹——98中国当代艺术内部观摩展”（北京）、“不合作方式I、II”展（上海、荷兰格罗宁根美术馆）、“重新解读——首届广州当代艺术三年展”（广东美术馆）、北京浮世绘（北京798艺术区东京画廊）、“今日中国－中国当代艺术的转世魅影”展（奥地利维也纳埃索美术馆、荷兰COBRA美术馆）、连续五届“两岸四地艺术交流计划”（何香凝美术馆、台北市立美术馆、香港会展中心、澳门艺术博物馆）、首届CAFA未来展：亚现象——中国青年艺术生态报告（北京中央美术学院美术馆）、“世代转化的中国创造”当代艺术展（丹麦奥胡斯美术馆）、“乌托邦·异托邦——乌镇国际当代艺术邀请展”、“时间开始了——2019乌镇当代艺术邀请展”、“徐冰：思想与方法”（北京798尤伦斯当代艺术中心）等。
是为中国目前最活跃的独立策展人和评论家之一。
He is an independent curator, art critic andalso concurrently work as a researcher in the Institue of Sociology of SichuanAcademy of Fine Arts. Now live and work in Beijing. He served concurrently as the art director inthe He Xiangning Art Museum from 2007-2017 and won the “Annual Curator” for the12th ACC Art China in 2018.
Since the late 1980s, Feng has devoted himself to curating, commenting,and editing contemporary Chinese art, paying attention to the marginal,alternative artists and groups, as well as the living state and artistic creation of the youngergeneration of artists, focusing on experimental andcritical contemporary art. He has written, and contributed to numerousarticles, theses and essays. He has curated many important exhibitions in Chinaand abroad. including “Traces of Existence: 1998 Chinese Contemporary Art StudyExhibition ”(Beijing), “Fuck Off 1 and Fuck Off 2”(Shanghai; Groninger Museum,Netherlands), “Reinterpretation: The First Guangzhou Triennial” (GuangdongMuseum of Art), “Right Hand, Left Hand: A Sino-German Exhibition ofContemporary Art” (798 Art District, Beijing), “A Vista of Perspectives: TheSixth Shenzhen Contemporary Sculpture Exhibition” (OCT Contemporary ArtTerminal, Shenzhen), “Surreptitious Substitutions: Post-Modern Methods inChinese Contemporary Art” (OCAT Art and Design Gallery), “The FourthCross-Strait Four-Regions Artistic Exchange Project” (He Xiangning Art Museum;Taipei Fine Arts Museum; Osage Gallery Kwan Tong; and Macau Museum of Art),“CAFAM Future: Sub-Phenomena - Report on the State of Young Chinese Art” (CAFAArt Museum, Beijing), “A New Dynasty - Created in China”(ARoS Aarhus ArtMuseum, Denmark), “Utopias/Heterotopia—Wuzhen International Contemporary ArtExhibition (Wuzhen, China) and “Xu Bing: Thought and Method”(UCCA, Beijing)
Feng Boyi is one of the most active independent curators and critics inChina.
张 凡
Zhang Fan
毕业于武汉大学和荷兰阿姆斯特丹大学。拥有多年不同类型的艺术机构工作经验，并多次参与过国内外展览的策划和制作, 主要展览项目有“时间开始了：乌镇当代艺术邀请展”，2019年；“乌托邦·异托邦——乌镇国际当代艺术邀请展”，2016年；“时代映像：1960年以来的英国摄影”，2015-2016年；“设计试验场——深圳创意文化节”，2013年；“水墨炼金术：谷文达的实验水墨”，2010年。
Zhang Fan, graduated from Wuhan Universityand University of Amsterdam. She has lots of experience working for differentart institutions and been involved in the planning and production of manyexhibitions in and out of China, such as Now is the Time — WuzhenInternational Contemporary Art Exhibition (Wuzhen, China), 2019; Utopias/Heterotopia—Wuzhen InternationalContemporary Art Exhibition (Wuzhen, China), 2016; Work, Rest and Play:British Photography from the 1960s to today, ( Shenzhen, Shanghai, Chengdu),2015-2016; Design Edge: Inside/ Outside —OCT- Loft Creative Festival,2013; Ink Alchemy : The Experimental Ink of Gu Wenda, 2010.
纪大海
Ji Dahai
